| Photos (see all 3 | slideshow) |
| Michael Nyqvist | ... | Daniel Daréus | |
| Frida Hallgren | ... | Lena | |
| Lennart Jähkel | ... | Arne | |
| Ingela Olsson | ... | Inger | |
| Niklas Falk | ... | Stig | |
| Helen Sjöholm | ... | Gabriella | |
| Ylva Lööf | ... | Siv | |
| Per Morberg | ... | Conny | |
| André Sjöberg | ... | Tore | |
| Mikael Rahm | ... | Holmfrid | |
| Lasse Petterson | ... | Erik | |
| Axelle Axell | ... | Florence | |
| Ulla-Britt Norrman-Olsson | ... | Amanda | |
| Barbro Kollberg | ... | Olga | |
| Mircea Crisan | ... | Agent (as Mircea Krishan) | |
| rest of cast listed alphabetically: | |||
| Verena Buratti | ... | Loredana | |
| Alexandra Eisenstein | ... | Member of choir / Extra | |
| Anna Lundström | ... | Daniel 14 år | |
| Johannes Schantz | ... | Daniel 7 år | |
| Kristina Törnqvist | ... | Mamma | |
| Lotten Vallgårda | ... | Gabriella's daughter | |
| Nils-Anders Vallgårda | ... | Gabriella's son | |
Directed by | |||
| Kay Pollak | |||
Writing credits(in alphabetical order) | ||
| Anders Nyberg | co-writer | |
| Ola Olsson | co-writer | |
| Carin Pollak | co-writer | |
| Kay Pollak | writer | |
| Margaretha Pollak | co-writer | |
Original Music by | |||
| Stefan Nilsson | |||
Cinematography by | |||
| Harald Gunnar Paalgard | |||
Film Editing by | |||
| Tomas Täng | |||
Casting by | |||
| Imor Hermann | |||
Art Direction by | |||
| Mona Theresia Forsén | |||
Costume Design by | |||
| Hedvig Andér | |||
Makeup Department | |||
| Kjell Gustavsson | .... | makeup artist | |
| Anna Norstedt | .... | assistant makeup artist | |
| Lisa Peterson | .... | assistant makeup artist | |
Production Management | |||
| Lasse Lundberg | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Niklas Ohlsson | .... | first assistant director | |
| Margaretha Pollak | .... | assistant director | |
Art Department | |||
| Dan Ahlqvist | .... | graphic designer | |
| Gunilla Allard | .... | art director: second unit | |
| Petter Carsall | .... | set dresser | |
| Anders Cederlund | .... | carpenter | |
| Peter Edfast | .... | construction foreman | |
| Jonas Holmberg | .... | carpenter | |
| Teddy Holm | .... | painter | |
| Olle Isaksson | .... | construction manager | |
| Cecilia Iversen | .... | painter (as Cissi Iversen) | |
| Patric Larsson | .... | painter | |
| Mido Lindholm | .... | property master | |
| Matthias Pflug | .... | property master: Innsbruck | |
| Nikolai Ritter | .... | art director: Innsbruck | |
| Emma Skoog | .... | assistant property master (as Emma Skog) | |
| Anna Winsa | .... | painter | |
Sound Department | |||
| Magnus Andersson | .... | sound recordist | |
| Jean Frédéric Axelsson | .... | sound: second unit | |
| Jonathan Edström | .... | foley artist | |
| Klas Engström | .... | sound: second unit | |
| Andreas Franck | .... | sound re-recording mixer | |
| Fredrik Jonsäter | .... | dubbing editor | |
| Tomas Krantz | .... | dialog editor | |
| Anders Larsson | .... | dubbing editor | |
| Alexander Ljung | .... | dubbing editor | |
| Bernard Löhr | .... | sound recordist | |
| Oscar Lovnér | .... | sound | |
| Erik Olhester | .... | sound recordist | |
| Bo Persson | .... | sound (as Bosse Persson) | |
| Jonas Rudels | .... | dubbing editor | |
| Jonas Rudels | .... | sound recordist | |
| Leif Westerlund | .... | foley artist | |
| Håkan Wollgård | .... | sound recordist | |
Camera and Electrical Department | |||
| Ulf Aneer | .... | first assistant camera | |
| Jonas Appeltofft | .... | grip | |
| Johan Beckman | .... | best boy electric | |
| Anders Birkeland | .... | still photographer | |
| Benny Broström | .... | best boy grip | |
| Andreas Eklund | .... | video assist operator | |
| Nils-Erik Järvi | .... | electrician | |
| Christian Lidman | .... | best boy electric | |
| Sten Lindberg | .... | lighting supervisor | |
| Nils Melander | .... | lighting supervisor | |
| Mattias Paulsson | .... | second assistant camera | |
| Hans Welin | .... | camera operator: second unit | |
Costume and Wardrobe Department | |||
| Hedvig Andér | .... | costumer | |
| Sarah Holm | .... | costume coordinator | |
| Susanne Karlsson | .... | costume assistant | |
| Lena Lidman | .... | costume assistant | |
Editorial Department | |||
| Kjell Amrén | .... | scanner | |
| Sebastian Amundsen | .... | assistant editor | |
| Susanne Lund | .... | negative cutter | |
| Pia Svedlund | .... | negative cutter | |
Music Department | |||
| Andreas Franck | .... | music mixer | |
| Bernard Löhr | .... | music mixer | |
Other crew | |||
| Andreas Bergman | .... | location manager | |
| Petra Jönsson | .... | production coordinator: second unit | |
| Soni Jörgensen | .... | script consultant | |
| Daniel Kask | .... | runner | |
| Göran Lindberg | .... | location manager: second unit | |
| Hans Lönnerheden | .... | completion bond | |
| Martin Strömberg | .... | production coordinator | |
| Johanna Sundberg | .... | production coordinator | |
| Kerstin Sundberg | .... | script supervisor | |
| Ylva Swedenborg | .... | unit publicist | |
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I am not going to spoil the contents to anyone, who has not yet watched this humble masterpiece by Kay Pollak.
A world famous conductor brilliantly played by Michael Nyqvist seeks peace from stress by moving back to his childhood village. The villagers, who has followed the genius in silence, are slowly tempting him to share of his greatness.
Each role in this movie, has a very specific purpose and shows a remarkable potential in each of the actors playing their own chord in short but precise words, a symphony of love.
Not love in the sense of relationship, but in the tone of the spirit deeply buried within each of the characters, each revealing their own present story, their needs, their skeletons, desires and much more.
I shall not forget to mention, the two main parts played by Frida Hallgren and Michael Nyqvist, whose dramas are played in unforgettable harmonies of emotional feedback. They touch each other with a pain connected in their own disability to love themselves.
Michael Nyqvist is really put to the test here in a very difficult setup, in one of those movies that either end up as catastrophic or fantastic. And fantastic it became from start to end, not one second less or more than enough, you are left with a feeling of change and a taste for more.
To this day, definitely one of the best movies I have had the pleasure of watching.