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Directed by | |||
| Chris Carter | |||
Writing credits(WGA) | ||
| Frank Spotnitz | (written by) and | |
| Chris Carter | (written by) | |
| Chris Carter | (television series "The X-Files") | |
Produced by | |||
| Chris Carter | .... | producer | |
| Brent O'Connor | .... | executive producer | |
| Frank Spotnitz | .... | producer | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Bill Roe | |||
Film Editing by | |||
| Richard A. Harris | (as Richard Harris) | ||
Casting by | |||
| Heike Brandstatter | |||
| Mindy Marin | |||
| Coreen Mayrs | |||
Production Design by | |||
| Mark S. Freeborn | (as Mark Freeborn) | ||
Art Direction by | |||
| Tony Wohlgemuth | |||
Set Decoration by | |||
| Shirley Inget | |||
Costume Design by | |||
| Lisa Tomczeszyn | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Sherry Linder-Gygli | .... | key hair stylist | |
| Michael Nickiforek | .... | makeup effects fabrication | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Bill Terezakis | .... | special makeup effects designer | |
Art Department | |||
| John Chaschowy | .... | greensman | |
| Mark Francis | .... | prop buyer | |
| David Hadaway | .... | set designer | |
| Scott Holburn | .... | set dresser | |
| Mike Lilley | .... | graphic designer | |
| Cheryl Marion | .... | assistant art director | |
| Marta McLaughlin | .... | assistant property master | |
| Wayne McLaughlin | .... | property master | |
| Eric Partridge | .... | assistant property master | |
| Sabine Schoppel | .... | art department coordinator | |
| Adrien Van Viersen | .... | illustrator | |
| Loree Wershler | .... | graphic designer | |
Special Effects by | |||
| Colin Decker | .... | special effects assistant | |
| David Gauthier | .... | special effects coordinator | |
| Attila Vaski | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | supervisor | |
| Eric Almeras | .... | digital compositor | |
| Rodrigo Armendariz | .... | compositor | |
| Steve Au | .... | digital effects artist | |
| Johnathan R. Banta | .... | digital compositor | |
| Pharoah Barrett | .... | 3D artist | |
| Geeta Basantani | .... | visual effects set assistant | |
| Mat Beck | .... | senior visual effects supervisor | |
| Rob Blauser | .... | digital matte painter | |
| Darren Borrowman | .... | visual effects on-set technician | |
| Bryce Brecheisen | .... | visual effects coordinator | |
| Jonathan Butchard | .... | visual effects coordinator: Frantic Films | |
| Charles Collyer | .... | digital compositor | |
| Jon Cowley | .... | digital supervisor | |
| Glenn Curry | .... | digital effects artist: EntityFX | |
| Todd Daugherty | .... | head of technology | |
| Linda Drake | .... | visual effects editor | |
| Jason Dunn | .... | compositor | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Andrew Edwards | .... | compositor | |
| Ryan Epp | .... | compositor | |
| Thomas F. Ford IV | .... | visual effects producer | |
| Mark Goldberg | .... | compositor | |
| Don Greenberg | .... | compositor | |
| Todd Groves | .... | digital compositor | |
| Junji Hirano | .... | visual effects artist | |
| Graham Houston | .... | digital effects artist | |
| Jeremy Hunt | .... | visual effects artist: Screaming Death Monkey | |
| Nathan Ilejay | .... | video I/O | |
| Brenda Ilic | .... | visual effects producer: Entity FX North | |
| Joni Jacobson | .... | visual effects producer: Entity FX | |
| Eli Jarra | .... | digital supervisor | |
| Ara Khanikian | .... | digital compositor: Hybride | |
| Aaron N. Leichter | .... | video I/O | |
| Andrew Lema | .... | digital effects artist | |
| Matthias Lowry | .... | compositor | |
| Jack Noriaki Matsumoto | .... | digital effects artist | |
| Steve J. McLeod | .... | compositor | |
| Vinay Mehta | .... | digital compositor | |
| Tena Montoya | .... | visual effects producer: Entity FX | |
| Brian Moylan | .... | visual effects set supervisor | |
| Viet Nguyen | .... | systems engineer | |
| Eugene Paluso | .... | digital effects artist | |
| Rod Park | .... | visual effects producer: Entity FX | |
| Shane Paugh | .... | visual effects coordinator | |
| Marlon Perez | .... | digital artist: At The Post | |
| Chris E. Peterson | .... | digital artist: At The Post | |
| Brian Petras | .... | compositor | |
| Lee Roderick | .... | visual effects | |
| Dan Rucinski | .... | production supervisor | |
| Emily Sage | .... | visual effects | |
| Brian Sales | .... | compositor | |
| Andrea Shear | .... | digital effects artist | |
| Randal Shore | .... | visual effects producer: Frantic Films | |
| Nate Smalley | .... | video I/O | |
| Trent Smith | .... | senior visual effects producer: Entity FX | |
| Christina Spring | .... | compositor | |
| Mike Spring | .... | compositor | |
| Mai Suzuki | .... | digital restoration artist | |
| Marty Taylor | .... | compositor | |
| Patrick Thompson | .... | compositor | |
| Donald Tse | .... | compositor | |
| Dmitry Vinnik | .... | digital effects artist | |
| John C. Wash | .... | visual effects set supervisor | |
| Dave Williams | .... | compositor | |
| Ian Wilson | .... | digital effects artist | |
| Doug Witsken | .... | digital compositor | |
| Philip Fraschetti | .... | rotoscope artist: At The Post (uncredited) | |
| Bobby Silman | .... | digital compositor: Frantic Films (uncredited) | |
Stunts | |||
| Guy Bews | .... | stunt driver | |
| Mike Mitchell | .... | stunt coordinator | |
| Tony Morelli | .... | stunt coordinator | |
| Jeff Sanca | .... | stunt driver | |
Camera and Electrical Department | |||
| Ryan Bailey | .... | gaffer: second unit | |
| John S. Bartley | .... | director of photography: second unit | |
| Justin Bergler | .... | second assistant camera: "b" camera, second unit | |
| Hans Bjerno | .... | aerial director of photography | |
| Eric Dvorsky | .... | Wescam technician | |
| Eric Dvorsky | .... | assistant camera: aerial unit | |
| Lee Gibeau | .... | camera crane technician | |
| Lee Gibeau | .... | grip | |
| Steve Gray | .... | helicopter pilot: camera | |
| Russ Hawkes | .... | dolly grip: second unit | |
| Norbert Kaluza | .... | camera operator: "a" camera, second unit | |
| Jeremy Lundstrom | .... | camera trainee | |
| Taylor Matheson | .... | first assistant camera: "a" camera, second unit | |
| Sean Oxenbury | .... | rigging gaffer | |
| Rob Parisien | .... | digital video assist operator | |
| Andrew Pereszlenyi | .... | best boy: lighting | |
| David Tickell | .... | gaffer | |
| Tony Whiteside | .... | key grip: second unit | |
| Carrie Wilson | .... | camera loader | |
| Kurt Zelmer | .... | best boy rigging electric | |
Casting Department | |||
| Kara Lipson | .... | casting associate | |
| Meagan Lopez | .... | casting assistant | |
| Tiffany Mak | .... | casting department | |
| Randy Stone | .... | original casting | |
Costume and Wardrobe Department | |||
| Carolyn Bentley | .... | set costumer | |
| Dawn Climie | .... | on-set costume supervisor | |
| Nancy Collini | .... | costumer | |
| Brodie Davison | .... | costumer | |
| Janice Devries | .... | costume coordinator | |
| Kevin Harrison | .... | set costumer | |
| Michelle Hunter | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Ryan Chavez | .... | assistant editor | |
| Marta Evry | .... | additional editor | |
| Geofrey Hildrew | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Devin Sterling | .... | digital intermediate producer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Charbonneau | .... | music editor | |
| Kevin Globerman | .... | digital score recordist | |
| Benoit Grey | .... | midi score programmer | |
| Randy Kerber | .... | orchestrator | |
| Katia Lewin Palomo | .... | score mixing assistant | |
| Alan Meyerson | .... | music scoring mixer | |
| Jonathan Sacks | .... | orchestrator | |
| Mark Snow | .... | conductor | |
| John Ashton Thomas | .... | orchestrator | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Bob Dennett | .... | 2nd unit transportation coordinator | |
| James Perenseff | .... | transportation coordinator | |
Thanks | |||
| Randy Stone | .... | dedicatee | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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Honestly, I thought this was a good film. I'll even go so far as to say a great film. I really think that Chris Carter, David Duchovny, and Gillian Anderson delivered what they had promised to. All along, throughout the post-production and press campaign we've been told that this is a creepy story with Mulder and Scully's relationship at its core. Well, that's what it is ... plain and simple. I really think that all the negativity and people's harsh reviews are from false and hyped up expectations of what this movie is supposed to be. If anything, you should just try to walk into the theatre with an open mind.
But I almost think some people who reviewed this film, saw a different film than I did ...
1. I read a review in which the person said Gillian Anderson's acting was awful. That is false. It is quite the contrary. Gillian Anderson is probably one of the strongest aspects of this movie. Every time she's in a scene, you're captivated.
2. I had read that Mulder and Scully don't show up in the film until 45 minutes into it. False. Scully appears in the 3rd scene - so what? no more than 7 minutes? - and Mulder directly follows.
3. Someone complained about an irrelevant and torturously long scene where Mulder fills up his gas tank. This doesn't happen. He goes to a gas station, gets out of his car, and goes into a store.
4. Lastly, it was rumored that the actors where flubbing up their lines all the time. Okay, even if they did, that wouldn't end up in the final film. Obviously they do multiple takes for a reason. The lines are solid.
This movie is not boring. The surprises are there. It may not be scary in a 'horror film' sort of way where things are jumping out at you every 2 seconds, but it is scary. The acting is amazing. Gillian Anderson on her own is a joy to watch, but when you put her in a scene with David it's either going to break your heart or melt it. The supporting cast won't let you down, and neither will the storyline. It's not paranormal in the sense of freaks and monsters, but religion and God. It's very much in the fashion of "All Things"; seeing the signs and following them. Finally, it is just excellently put together. Whoever edited this film did a phenomenal job! The inter-cutting and juxtaposition was out of this world.
GIVE IT A CHANCE, FOLKS.