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And When Did You Last See Your Father? (2007)
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Overview
User Rating:
Release Date:
5 October 2007 (Ireland) moreTagline:
A parent and a child. The past and the present. Memories and secrets. Can you know someone for a lifetime.... and not know them at all? The life of a father. Through the journey of a son. moreAwards:
1 win & 9 nominations moreUser Comments:
Smaller Fish moreCast
(in credits order) | Jim Broadbent | ... | Arthur |
 | Colin Firth | ... | Blake |
 | Juliet Stevenson | ... | Kim |
 | Gina McKee | ... | Kathy |
| Sarah Lancashire | ... | Beaty |
| Elaine Cassidy | ... | Sandra |
| Claire Skinner | ... | Gillian |
| Matthew Beard | ... | Blake - Teen |
| Bradley Johnson | ... | Blake - Child |
| Chris Middleton | ... | Racing Steward |
| Elliot Avery | ... | Peter |
| Rhiannon Howden | ... | Sophie |
| Tom Butcher | ... | Dr. Taggart |
| Alannah Barlow | ... | Gillian - Child |
| Tara Berwin | ... | Gillian - Teen |
| Richard Standing | ... | Publican |
| Olivia Lindsay | ... | Josie - Child |
| Naomi Allisstone | ... | Josie |
| Tilly Curtis | ... | Josie - Teen |
 | Justin McDonald | ... | Steve |
| Carey Mulligan | ... | Rachel |
| Graham Turner | ... | Undertaker |
| rest of cast listed alphabetically: | |||
| Robert Angell | ... | Uncle Sam (uncredited) |
| Tom Clear | ... | Mechanic (uncredited) |
| Blake Morrison | ... | Awards Ceremony Attendee (uncredited) |
Directed by | |||
| Anand Tucker | |||
Writing credits | ||
| Blake Morrison | (book) | |
| David Nicholls | screenplay | |
Original Music by | |||
| Barrington Pheloung | |||
Cinematography by | |||
| Howard Atherton | |||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Lynne Huitson | |||
Set Decoration by | |||
| Barbara Herman-Skelding | |||
Costume Design by | |||
| Caroline Harris | |||
Makeup Department | |||
| Christine Blundell | .... | hair stylist | |
| Christine Blundell | .... | makeup designer | |
| Chloe Meddings | .... | assistant makeup artist | |
| Matthew Smith | .... | prosthetic makeup designer | |
| Lesa Warrener | .... | hair stylist | |
| Lesa Warrener | .... | makeup artist | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
Art Department | |||
| David Broadfoot | .... | stand-by rigger | |
| Rob Brown | .... | construction-manager studio | |
| Leigh Bryant | .... | dressing props | |
| Alfie Burgess | .... | stand-by props | |
| Hugh Delancy | .... | stand-by carpenter | |
| Robert J. Dugdale | .... | scenic artist | |
| Billy Edwards | .... | stand-by props | |
| Lucy Eyre | .... | assistant set decorator | |
| Annie Gilhooly | .... | production buyer | |
| John Moore | .... | dressing props | |
| Ben Munro | .... | stand-by art director | |
| Dominic Pike | .... | construction-manager locations | |
| Mary Pat Sheahan | .... | stand-by painter | |
| Fabrice Spelta | .... | graphic artist | |
| Terry Stinson | .... | dressing props | |
| Andy Tomlinson | .... | assistant art director | |
| Stuart Watson | .... | construction manager: studio | |
| Terry Wood | .... | props master | |
| Monica Black | .... | art department (uncredited) | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Michael Fentum | .... | sound effects editor | |
| Nick Foley | .... | adr mixer | |
| Jim Greenhorn | .... | production sound mixer | |
| Nigel Heath | .... | sound re-recording mixer | |
| Jeremy Lishman | .... | boom operator | |
| Dan Morgan | .... | supervising sound editor | |
Visual Effects by | |||
| Lucy Ainsworth-Taylor | .... | executive producer: MPC | |
| Tom Debenham | .... | visual effects supervisor: One Of Us | |
| Chaya Feiner | .... | visual effects coordinator: One Of Us | |
| Ian Mackinnon | .... | animator: One Of Us | |
| Dominic Parker | .... | visual effects supervisor: One Of Us | |
| Rachael Penfold | .... | visual effects producer: One Of Us | |
Stunts | |||
| Jim Dowdall | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tim Battersby | .... | first assistant camera: second unit | |
| Trevor Brooker | .... | director of photography: "b" camera | |
| Michael Chambers | .... | gaffer | |
| Ricky Churchouse | .... | electrician | |
| Barnaby Crocker | .... | camera loader (as Barny Crocker) | |
| Lee Godfrey | .... | assistant grip | |
| Stuart Godfrey | .... | key grip | |
| Stuart Holt | .... | electrician | |
| Alex Howe | .... | camera focus puller | |
| Giles Keyte | .... | still photographer | |
| John King | .... | electrician | |
| Gavin MacArthur | .... | camera loader dailies | |
| Brian Miller | .... | electrician | |
| Chris Plevin | .... | camera operator | |
| Paul 'Welcie' Wellstead | .... | rigging electrician | |
| Phil Whittaker | .... | grip: second unit | |
Casting Department | |||
| Faith Allbeson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Yvonne Duckett | .... | stand-by costume | |
| Vidya Krishnamurthy | .... | costume assistant | |
| Marco Scotti | .... | costume supervisor | |
Editorial Department | |||
| Matthew Benns | .... | digital intermediate data manager | |
| Nina Bradley | .... | assistant editor | |
| Paul Ensby | .... | digital color timer | |
| Sacha Guttenstein | .... | post-production consultant | |
| Dominic Thomson | .... | digital editor | |
Music Department | |||
| Andy Brown | .... | music contractor | |
| Caroline Dale | .... | musician: cello | |
| Karen Elliott | .... | music supervisor | |
| Sally Heath | .... | musician: piano | |
| David Juritz | .... | musician: violin | |
| Stephen McLaughlin | .... | music producer | |
| Barrington Pheloung | .... | conductor | |
| Matthew Slater | .... | music preparation services | |
| Amanda Street | .... | score supervisor | |
Transportation Department | |||
| Pete Newman | .... | unit driver | |
Other crew | |||
| Kim Armitage | .... | script supervisor | |
| Philip Ball | .... | stand-in | |
| Bruno Cassoni | .... | floor runner | |
| Vicky Chapman | .... | location assistant | |
| Tony Clarkson | .... | location manager | |
| Joao de Sousa | .... | assistant to director | |
| Ross Ferguson | .... | assistant: Ms. Karlsen | |
| Denise Hanrahan | .... | assistant coordinator | |
| Dan Hillsdon | .... | assistant accountant | |
| Dan Hodgett | .... | location services | |
| Annabel Kennedy | .... | development executive | |
| Joanna Laurie | .... | assistant: Mr. Woolley | |
| Kate Lawrence | .... | development executive | |
| Sarah Lucraft | .... | production accountant | |
| Stacy Mann | .... | unit publicist | |
| Roger Phillips | .... | titles | |
| Michelle Pianca | .... | assistant location manager | |
| Deryn Stafford | .... | production coordinator | |
| Carly Taverner | .... | floor runner | |
| Maya Toone | .... | production runner | |
| Emma Yeomans | .... | assistant location manager | |
| Helen Revington | .... | unit nurse (uncredited) | |
Thanks | |||
| Sharon Maguire | .... | thanks | |
| Augie Tucker | .... | thanks | |
Production Companies
- Archer Street Productions
- Audley Films
- Bórd Scannán na hÉireann
- EM Media
- Father Features
- Film4
- Intandem Films
- Number 9 Films
- UK Film Council
- A-Film Distribution (2008) (Netherlands) (theatrical)
- Buena Vista International (2007) (UK) (theatrical)
- Icon Film Distribution (2007) (Australia) (theatrical)
- MG Film (2007) (Croatia) (all media)
- Mongrel Media (2007) (Canada) (theatrical)
- Sony Pictures Classics (2007) (USA) (theatrical)
- Sony Pictures Classics (2007) (Canada) (all media)
- Sony Pictures Classics (2007) (USA) (all media)
- Warner-Lusomundo (2007) (Portugal) (theatrical)
- One Of Us (visual effects by)
- AFM Lighting lighting
- ARRI Media camera equipment provided by
- Casting Collective extras casting
- DNA Music score coordination
- DNA Music soundtrack coordination and organization
- Fatts post-production script services
- Film4 development
- Kodak motion picture film supplied by
- Silva Screen Records soundtrack
- VooDooDog titles
Additional Details
MPAA:
Rated PG-13 for sexual content, thematic material and brief strong language.Parents Guide:
Add content advisory for parentsRuntime:
92 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
USA:PG-13 | Ireland:15A | UK:12A | Canada:14A | Australia:M | Netherlands:6 | New Zealand:MMOVIEmeter: 
13% since last week
why?
Fun Stuff
Trivia:
Matthew Beard wore brown coloured contact lenses in order to look more like Colin Firth. moreQuotes:
Blake Morrison: And at the risk of getting sentimental I'd just like to say a quick thanks to my wife, Kathy, not only for her encouragement and support but also because she especificly asked me to mention her.* http: //www.firth.com/father_mm.html - On this website there is a video from the filming of the film where a scene is shot and this piece of dialogue can clearly be heard.
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FAQ
A NOTE ABOUT SPOILERSIs this movie based on a book?
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Blake Morrison's memories are served for public consumption in a respectful but slightly confused rendition. Jim Broadbent delight us, once more, with his overgrown child of a father that seems a figment of her son's imagination. His childishness seems to be his only flaw. I couldn't help but being reminded of Tim Burton's "Big Fish" this time, with radically different flights of fancy. Colin Firth plays the writer/son as a crashing bore. Was that on purpose? I've been longing to see Firth again in parts like the ones he so amazingly captured - "Apartment Zero" comes to mind. Here earnest or not earnest, loving, selfish and so forth I didn't quite get myself interested enough to care as much as I feel I should have. Matthew Beard, the younger Blake and Juliet Stevens as the mother, manage to create more intriguing characters. The film, however, belongs to Jim Broadbent - His character is a loving mix of assorted British loving eccentrics. The fact that this is the way her son Blakes remembers him, makes the experience worth while.